Publications

My peer-reviewed and scholarly publications include:

Greer, S. (2018) Between care and self-care: dramaturgies of mindfulness in the work of the vacuum cleaner. Scottish Journal of Performance, 5(1), pp. 25-47. (doi:10.14439/sjop.2018.0501.04)

Shah, S. and Greer, S. (2018) Polio Monologues: translating ethnographic text into verbatim theatre. Qualitative Research, 18(1), pp. 53-69. (doi:10.1177/1468794117696141)

Greer, S. (2017) The Contemporary American Monologue: Performance and Politics by Eddie Paterson. Contemporary Theatre Review, 27(2), pp. 287-288. (doi:10.1080/10486801.2017.1311085) [Book Review]

Greer, S. (2016) ‘King of the ring, and Queen of it too’: the exotic masculinity of Adrian Street. In: Chow, B.Laine, E. and Warden, C. (eds.) Performance and Professional Wrestling. Routledge: Milton Park, Abingdon, Oxon ; New York, pp. 118-126. ISBN 9781138937222

Greer, S. (2016) The economies of Adrian Howells. In: Heddon, D. and Johnson, D. (eds.) It’s All Allowed: The Performances of Adrian Howells. Series: Intellect Live. Intellect: London, UK. ISBN 9781783205899

Greer, S. (2016) Queer/Welsh and Welsh/queer: performing hybrid Wales. In: Osborne, H. (ed.) Queer Wales: The History, Culture and Politics of Queer Life in Wales. Series: Gender studies in Wales. University of Wales Press: Cardiff. ISBN 9781783168637

Greer, S. (2015) Queer (mis)recognition in the BBC’s Sherlock. Adaptation, 8(1), pp. 50-67. (doi:10.1093/adaptation/apu039)

Greer, S. (2015) Queer exceptions. Theatre Research International, 40(1), pp. 92-95. (doi:10.1017/S0307883314000625)

Greer, S. (2015) After documentary theatre: exceptionality in National Theatre Wales ‘ The Radicalisation of Bradley Manning. In: Campbell, A. and Farrier, S. (eds.) Queer Dramaturgies: International Perspectives on Where Performance Leads Queer. Series: Contemporary Performance InterActions. Palgrave Macmillan, pp. 116-130. ISBN 9781137411853

Greer, S. (2014) ‘Even if we do not take things seriously… we are still doing them’: Disidentification, ideology, and queer performance. In: Chow, B. and Mangold, A. (eds.) Žižek and Performance. Series: Performance philosophy. Palgrave Macmillan. ISBN 9781137410900

Greer, S. (2013) Playing queer: affordances for sexuality in fable and dragon age. Journal of Gaming and Virtual Worlds, 5(1), pp. 3-21. (doi:10.1386/jgvw.5.1.3_1)

Greer, S. (2013) Review of: Martin Sherman: Skipping over Quicksand, Trish Dace (2012). Journal of Adaptation in Film and Performance, 7(1), p. 121. (doi:10.1386/jafp.7.1.121_5) [Book Review]

Greer, S. (2013) Temporary legitimacy: queer possibilities in digital performance. In: Causey, M. and Walsh, F. (eds.) Performance, Identity, and the Neo-Political Subject. Series: Routledge advances in theatre and performance studies (28). Routledge, pp. 185-200. ISBN 9780415509657

Greer, S. (2012) Contemporary British Queer Performance. Series: Performance interventions. Palgrave Macmillan: Basingstoke. ISBN 9780230304420

Greer, S. (2011) Collaborative performance and asynchronous action: world without oil’s fragmented forum. International Journal of Performance Arts and Digital Media, 7(1), pp. 61-76. (doi:10.1386/padm.7.1.61_1)

Greer, S. (2011) Staging legitimacy: theorising identity claims in anti-homophobia theatre-in-education. Research in Drama Education, 16(1), pp. 55-74. (doi:10.1080/13569783.2011.541608)